The Pitchfork Music Festival, a beloved gathering for music enthusiasts, wrapped up its final edition in Chicago from July 19–21, 2024, marking the end of an era for the event. For nearly two decades, the festival has served as a platform for both emerging artists and well-established acts, and this year’s lineup reflected that rich history. From iconic alt-rock stars to genre-defying experimental artists, the festival brought together a spectacular mix of performances that left the crowd in awe.
Among the standout performances of the weekend was the much-anticipated set from Alanis Morissette. Known for her timeless album Jagged Little Pill, Morissette delivered a powerful show that blended nostalgia with raw emotion, taking fans on a trip through the alt-rock anthems that shaped the ’90s. Her performance was nothing short of a celebration of her legacy, and it was a fitting tribute to the festival’s diverse history.
Another major highlight was Black Pumas, who brought their blend of soulful melodies and rock-infused rhythms to the stage. The Austin-based duo, known for their captivating live performances, delighted the audience with a mix of their chart-topping hits and new material. Their set was a testament to the festival’s commitment to showcasing talent from all genres and backgrounds, continuing to push the boundaries of what defines a modern music festival.
Jamie xx, a prominent figure in the electronic music scene, rounded out the festival’s impressive roster. The British producer and DJ captivated the crowd with a set that seamlessly fused elements of house, techno, and indie electronic music. Jamie xx’s distinctive sound, characterized by atmospheric beats and intricate sampling, created a mesmerizing atmosphere that resonated deeply with attendees, capping off the festival in a euphoric manner.
Beyond the main performances, the festival’s after-shows were also a major draw. These smaller, more intimate events allowed attendees to experience even more of the eclectic mix of sounds that Pitchfork has become known for. Artists like Doss, whose atmospheric electronic music has garnered critical acclaim, and Feeble Little Horse, a rising indie band, added to the rich musical tapestry of the weekend. These after-shows not only highlighted the festival’s commitment to emerging talent but also provided a sense of community, as festival-goers continued to celebrate music long into the night.
As the festival bids farewell after 19 years, it leaves behind a legacy of musical innovation, inclusivity, and discovery. From its roots as a small showcase to its evolution into one of the most respected music festivals in the world, Pitchfork’s final edition was a fitting celebration of its journey. The festival’s ability to bring together such a diverse range of artists and fans speaks to the power of music as a unifying force, and its impact on the Chicago music scene will undoubtedly be felt for years to come.